The Photographic Comportment of Bernd and Hilla Becher Tate Papers Tate
Hilla Becher was a German artist born in 1931 in Siegen, Germany. She was one half of a photography duo with her husband Bernd Becher. For forty years, they photographed disappearing industrial architecture around Europe and North America. They won the Erasmus Prize in 2002 and Hasselblad Award in.
Bernd and Hilla Becher (19312007 and 19342015)
The renowned German artists Bernd and Hilla Becher (1931-2007; 1934-2015) changed the course of late twentieth-century photography. Working as a rare artist couple, they focused on a single subject: the disappearing industrial architecture of Western Europe and North America that fueled the modern era. Their seemingly objective style.
Lost world Bernd and Hilla Becher's legendary industrial photographs Art and design The
In June 1966, the German artist Hilla Becher, who has died aged 81, set off, together with her husband Bernd and their two-year-old son Max, to south Wales in a VW camper, towing an old caravan.
Les typologies photographiques de Bernd et Hilla Becher
Bernd and Hilla Becher, a husband-and-wife team who spent five decades making rigorous and reverential pictures of industrial architecture, were among the most influential photographers of the.
Biography Documentary/Architecture photographers Bernd and Hilla Becher MONOVISIONS Black
Bernd Becher was appointed as Chair of Artistic Photography at the Düsseldorf Art Academy in 1976, establishing the school's photography program. Teaching, like photography, was largely collaborative; while Bernd Becher held the position, Hilla Becher worked alongside him throughout his time at the Academy.
Bernd And Hilla Becher’s Industrial Photography Amusing
For more than five decades, Bernd (1931-2007) and Hilla (1934-2015) Becher collaborated on photographs of industrial architecture in Germany, France, Belgium, Holland, Great Britain, and the United States. This sweeping monograph features the Bechers' quintessential pictures, which present water towers, gas tanks, blast furnaces, and more as sculptural objects.
Hilla Becher on making art and a life with Bernd British Journal of Photography
In 1976, as the world of photography started to recognise the Becher's work with the rise of the New Topographic movement, Becher started putting this theory into practice. He taught photography at the Kunstakademie Düsseldorf.. Bernd and Hilla Becher is on show at Hauser & Wirth Zürich from 14 October-22 December.
Art & Photography Bernd & Hilla Becher Sprüth Magers
Becher studied typography at the Staatlichen Kunstakademie, Düsseldorf, from 1957 to 1961. In 1959 Becher began to work with Hilla Wobeser in Düsseldorf, Germany as freelance artistic and industrial photographers. In 1961 the Bechers married and began to develop a project of documentary photography of industrial constructions in the Netherlands.
ART & ARTISTS Bernd and Hilla Becher photography
Bernd and Hilla Becher Nationalité : Allemande. Œuvre. Walls and Conduits, 1964-1990. Événements. Exposition - collection, Déjà - Grand déploiement de la collection, 2011-05-262011-09-04. Exposition - collection (itinérante), Autour de la mémoire et de l'archive,
Bernd And Hilla Becher’s Industrial Photography Amusing
Bernd and Hilla Becher first began their still-ongoing project of systematically photographing industrial structures - water towers, blast furnaces, gas tanks, mine heads, grain elevators and the like - in the late 1950s.1 The seemingly objective and scientific character of their project was in part a polemical return to the 'straight' aesthetics and social themes of the 1920s and.
Los Grandes Fotografos Bernd (1931 2007) y Hilla Becher (19342015)
Hilla Becher (née Wobeser; 2 September 1934 - 10 October 2015) was a German conceptual photographer.Becher was well known for her industrial photographs, or typologies, with longtime collaborator and husband, Bernd Becher.Her career spanned more than 50 years and included photographs from the United States, France, Germany, the Netherlands, Great Britain, Belgium, Switzerland, Luxembourg.
BERND AND HILLA BECHER 'FABRIKHALLEN' Photographs from the Ginny Williams Collection 2020
Bernd and Hilla Becher (1931-2007; 1934-2015) are widely considered the most influential German photographers of the postwar period. Working as a rare artist couple, they developed a rigorous practice focused on a single subject: the disappearing industrial architecture of Western Europe and North America that fueled the modern era.
Bernd and Hilla Becher Corsi Fotografia
Bernd Becher was born on August 20, 1931 in Siegen, Germany, and Hilla Wobeser was born on September 2, 1934 in Potsdam, Germany. They met one another while studying painting at the Kunstakademie Düsseldorf, their romance prompting a collaborative career. Their working methods and techniques influenced a generation of photographers now known.
Les typologies photographiques de Bernd et Hilla Becher
Bernhard "Bernd" Becher (German: [ˈbɛçɐ]; August 20, 1931 - June 22, 2007), and Hilla Becher, née Wobeser (September 2, 1934 - October 10, 2015), were German conceptual artists and photographers working as a collaborative duo. They are best known for their extensive series of photographic images, or typologies, of industrial buildings and structures, often organised in grids.
Art & Photography Bernd & Hilla Becher Sprüth Magers
The renowned German artists Bernd and Hilla Becher (1931-2007; 1934-2015) changed the course of late twentieth-century photography. Working as a rare artist couple, they focused on a single subject: the disappearing industrial architecture of Western Europe and North America that fueled the modern era. Their seemingly objective style.
Bernd & Hilla Becher, Blast Furnaces, Photography, Die Photographische Sammlung, Cologne
Biography. Bernd Becher was born in Siegen.He studied painting at the Staatliche Akademie der Bildenden Künste Stuttgart from 1953 to 1956, then typography under Karl Rössing at the Kunstakademie Düsseldorf from 1959 to 1961. Hilla Becher was born in Potsdam.Prior to Hilla's time studying photography at the Kunstakademie Düsseldorf from 1958 to 1961, she had completed an apprenticeship as.
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